{"id":2,"date":"2022-06-20T08:29:51","date_gmt":"2022-06-20T08:29:51","guid":{"rendered":"http:\/\/mh.markoandplacemakers.com\/?page_id=2"},"modified":"2024-06-09T18:34:53","modified_gmt":"2024-06-09T18:34:53","slug":"o-autorke","status":"publish","type":"page","link":"https:\/\/milotahavrankova.com\/sk\/o-autorke\/","title":{"rendered":"O autorke"},"content":{"rendered":"\r\n
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Milota Havr\u00e1nkov\u00e1\u00a0<\/strong>(*1945) je fotografka, ktor\u00fa v slovenskej i \u010deskej fotografii pova\u017euj\u00fa za jedine\u010dn\u00fd zjav. Vst\u00fapila na umeleck\u00fa sc\u00e9nu koncom 60. rokov 20. storo\u010dia, v \u010dase ke\u010f si experiment\u00e1lna inscenovan\u00e1 fotografia za\u010dala v\u00fdraznej\u0161ie presadzova\u0165 svoju poz\u00edciu v r\u00e1mci v\u0161eobecn\u00e9ho kontextu v umen\u00ed. Experimentuje, l\u00e1me trad\u00edcie, u\u017e zau\u017e\u00edvan\u00fd rukopis men\u00ed a modernizuje. Sk\u00fa\u0161a nov\u00e9 technol\u00f3gie a mo\u017enosti, presahuje do architekt\u00fary, ma\u013eby aj m\u00f3dneho dizajnu. V roku 1969 sa stala v\u00f4bec prvou \u017eenskou absolventkou fotografie na pra\u017eskej FAMU. Za\u010dala objavova\u0165 mo\u017enosti \u0161tyliz\u00e1cie fotografick\u00e9ho obrazu, ktor\u00e9 sa spolo\u010dne so z\u00e1ujmom o prieskum dan\u00e9ho m\u00e9dia stali stabiln\u00fdm prvkom jej celej tvorby. Vy\u0161e tridsa\u0165 rokov u\u010d\u00ed mlad\u00fdch \u013eud\u00ed a sformovala siln\u00fa gener\u00e1ciu fotografov, ktor\u00ed sa nesk\u00f4r dostali do povedomia v Prahe ako \u201cSlovensk\u00e1 nov\u00e1 vlna\u201d a dodnes z\u00e1sadne ovplyv\u0148uj\u00fa \u010desk\u00fa fotografick\u00fa sc\u00e9nu. K pedagogickej \u010dinnosti sa op\u00e4tovne vr\u00e1tila v 90. rokoch ako ved\u00faca ateli\u00e9rov na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed v Bratislave, ako aj na Filmovej akad\u00e9mi\u00ed m\u00fazick\u00fdch umen\u00ed v Prahe a na Akad\u00e9mi\u00ed umen\u00ed v Banskej Bystrici. Svojim tvoriv\u00fdm pr\u00edstupom v\u00fdznamne ovplyvnila ve\u013ek\u00fa \u010das\u0165 strednej a mladej gener\u00e1cie slovenskej umeleckej sc\u00e9ny.<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"Milota\r\n
Foto: Lubo \u0160pirko<\/mark><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

SAMOSTATN\u00c9 V\u00ddSTAVY<\/strong><\/p>\r\n\r\n\r\n\r\n

2024 Bratislava <\/strong>(Slovensko) Gal\u00e9ria mesta Bratislava, Modr\u00e1 strecha<\/p>\r\n

2020 Praha<\/strong> (\u010cR), Leica Gallery Praha, Pohled z Okna
2019 Ko\u0161ice<\/strong> (Slovensko), V\u00fdchodoslovensk\u00e1 gal\u00e9ria, TORZO\/ laborat\u00f3rium ve\u010dn\u00fdch n\u00e1vratov
2015 Praha<\/strong> (\u010cR), Galerie hlavn\u00edho m\u011bsta Prahy (GHMP), MILOTA
2009 Lond\u00fdn <\/strong>(Ve\u013ek\u00e1 Brit\u00e1nia), VE\u013dVYSLANECTVO SLOVENSKEJ REPUBLIKY, Modr\u00e1 strecha
2009 Bratislava <\/strong>(SR), GAL\u00c9RIA FORZET, 07-00
2008 Viede\u0148 <\/strong>(Rak\u00fasko), SLOVENSK\u00dd IN\u0160TIT\u00daT, Bytie
2007 Martin<\/strong> (SR), TUR\u010cIANSK\u00c1 GAL\u00c9RIA, Odkaz M.H.
2007 Nitra <\/strong>(SR), NITRIANSKA GAL\u00c9RIA, V kru\u017enici M.H.
2005 Bratislava<\/strong> (SR), GAL\u00c9RIA NOVA, Rozhovor
2005 Praha<\/strong> (\u010cR), GALLERY ART FACTORY, Zelen\u00fd dom 2
2005 Bratislava <\/strong>(SR), GAL\u00c9RIA MESTA BRATISLAVY, Zelen\u00fd dom
2005 Washington DC <\/strong>(USA), GALLERY 10, Milota Havr\u00e1nkov\u00e1
2004 Washington DC<\/strong> (USA), GALLERY OF KOLOMAN SOKOL, Milota
2000 Ko\u0161ice<\/strong> (SR), GAL\u00c9RIA NOVA, Milota
2000 Praha<\/strong> (\u010cR), KOMORN\u00cd GALERIE DOMU FOTOGRAFIE Jozefa Sudka, Nutn\u00e1 hra
2000 Cheb<\/strong> (\u010cR), GALERIE G4, Milota Havr\u00e1nkov\u00e1 \u2013 fotografie
1997 Bratislava<\/strong> (SR), MESIAC FOTOGRAFIE, grafiky \u2013 sie\u0165otla\u010de v textilnej tvorbe \u2013 foto
1997 Praha<\/strong> (\u010cR), VELTR\u017dN\u00cd PAL\u00c1C, digit\u00e1lna fotografia \u2013 fotografick\u00fd dizajn s prehliadkou fotomodelov
1996 Praha<\/strong> (\u010cR), GALERIE \u0158\u00c1SNOVKA, Milota a jej hostia \u2013 fotografie a textiln\u00e1 prehliadka
1995 Bratislava<\/strong> (SR), HOTEL DANUBE, Svetlo a fotodesign \u2013 video projekcia \u2013 prehliadka modelov a v\u00fdstava fotografi\u00ed
1995 Lublin<\/strong> (Po\u013esko), GALERIA TEATRU NN \u2013 Milota Havr\u00e1nkov\u00e1 \u2013 Fotografia \u2013 video projekcia
1994 Praha<\/strong> (\u010cR), GAL\u00c9RIA MLAD\u00c1 FRONTA, Inaugurace
1994 Klagenfurt<\/strong> (Rak\u00fasko), ARS TEMPORIS
1992 Kristiansad<\/strong> (N\u00f3rsko), GALLERI 101, Fotodesign \u2013 autorsk\u00e1 prehliadka textiln\u00e9ho dizajnu
1991 Bratislava<\/strong> (SR), GAL\u00c9RIA X STYLE, st\u00e1la autorsk\u00e1 predajn\u00e1 v\u00fdstava, textil a fotografia
1989 Eisenstadt<\/strong> (Rak\u00fasko), BURGENLADISCHES LANDESMUSEUM
1988 Ko\u0161ice<\/strong> (\u010cSSR), GAL\u00c9RIA SFVU, Dielo
1988 Tren\u010d\u00edn<\/strong> (\u010cSSR), GAL\u00c9RIA SFVU, Dielo
1988 Bratislava<\/strong> (\u010cSSR), GAL\u00c9RIA SFVU, Dielo
1982 Var\u0161ava<\/strong> (Po\u013esko), FOTO GAL\u00c9RIA, Monument\u00e1lna fotografia
1980 Wroclaw<\/strong> (Po\u013esko), WROCLAWSK\u00c1 GAL\u00c9RIA FOTO MEDIUM ART, Monument\u00e1lna fotografia
1978 Bratislava<\/strong> (\u010cSSR), GAL\u00c9RIA CYPRI\u00c1NA MAJERN\u00cdKA, Milota Havr\u00e1nkov\u00e1
1977 Nov\u00e9 Z\u00e1mky<\/strong> (\u010cSSR), MESTSK\u00c1 GAL\u00c9RIA, Milota Havr\u00e1nkov\u00e1
1975 Martin<\/strong> (\u010cSSR), N\u00c1RODN\u00c9 DIVADLO, \u017dena v slovenskej literature
1974 Vysok\u00e9 m\u00fdto<\/strong> (\u010cSSR), GAL\u00c9RIA NEMOCNICE, Milota Markov\u00e1
1973 Bratislava<\/strong> (\u010cSSR), KOMORN\u00c1 GAL\u00c9RIA, Profil Markovej kompoz\u00edcie
1970 Krakov<\/strong> (Po\u013esko), FOTO GALERIE, Milota Markov\u00e1
1969 T\u00fcbingen<\/strong> (Nemecko), STUDENTENGALERIE, Milota Markov\u00e1<\/p>\r\n

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OCENENIA<\/strong><\/p>\r\n

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2022 \u0160t\u00e1tne vyznamenanie Pribinov kr\u00ed\u017e I. triedy<\/strong> za mimoriadne z\u00e1sluhy o kult\u00farny rozvoj Slovenskej Republiky
2016 Cena Nad\u00e1cie Tatra Banky<\/strong> v kateg\u00f3rii hlavn\u00e1 cena V\u00fdtvarn\u00e9 umenie
2014 Cena profesion\u00e1lnych fotografov SDEF<\/strong> \u2013 osobnos\u0165 roka fotografie
2014 Cena N\u00e1rodnej rady za humanitn\u00e9 vzdel\u00e1vanie a kult\u00faru<\/strong> v oblasti fotografie
2011 Ocenenie IDENTIFIKA\u010cN\u00dd K\u00d3D<\/strong> za v\u00fdtvarn\u00e9 umenie vo fotografii
2010 TV Gal\u00e9ria elity n\u00e1roda.sk<\/strong>, GEN.sk Milota Havr\u00e1nkov\u00e1
2008 Ocenenie Kri\u0161t\u00e1\u013eov\u00e9 kr\u00eddlo<\/strong> v kateg\u00f3rii V\u00fdtvarn\u00e9 umenie
1997 Medzin\u00e1rodn\u00fd ve\u013etrh m\u00f3dy, STYL 97<\/strong>, Brno, zvl\u00e1\u0161tna cena redakcie Evy
1995 Fotografick\u00e1 publik\u00e1cia roka<\/strong>, Czech photo, Praha. katal\u00f3g MILOTA 1974 \u2013 1994
1992 Medzin\u00e1rodn\u00e9 bien\u00e1le umeleck\u00fdch remesiel<\/strong>, Bratislava, Podvedom\u00e9 s\u00fahry \u2013 \u010destn\u00e9 uznanie<\/p>\r\n

<\/p>","protected":false},"excerpt":{"rendered":"

Milota Havr\u00e1nkov\u00e1\u00a0(*1945) je fotografka, ktor\u00fa v slovenskej i \u010deskej fotografii pova\u017euj\u00fa za jedine\u010dn\u00fd zjav. Vst\u00fapila na umeleck\u00fa sc\u00e9nu koncom 60. rokov 20. storo\u010dia, v \u010dase ke\u010f si experiment\u00e1lna inscenovan\u00e1 fotografia za\u010dala v\u00fdraznej\u0161ie presadzova\u0165 svoju poz\u00edciu v r\u00e1mci v\u0161eobecn\u00e9ho kontextu v umen\u00ed. Experimentuje, l\u00e1me trad\u00edcie, u\u017e zau\u017e\u00edvan\u00fd rukopis men\u00ed a modernizuje. Sk\u00fa\u0161a nov\u00e9 technol\u00f3gie a mo\u017enosti, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":31,"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":801,"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/pages\/2\/revisions\/801"}],"wp:attachment":[{"href":"https:\/\/milotahavrankova.com\/sk\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}