{"id":2,"date":"2022-06-20T08:29:51","date_gmt":"2022-06-20T08:29:51","guid":{"rendered":"http:\/\/mh.markoandplacemakers.com\/?page_id=2"},"modified":"2024-06-09T18:34:53","modified_gmt":"2024-06-09T18:34:53","slug":"o-autorke","status":"publish","type":"page","link":"https:\/\/milotahavrankova.com\/en\/o-autorke\/","title":{"rendered":"About"},"content":{"rendered":"<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-df5cc00c wp-block-columns-is-layout-flex\" style=\"padding: 0px 0px 32px 0px;\">\r\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"padding: 0px;\">\r\n<p><strong>Milota Havr\u00e1nkov\u00e1\u00a0<\/strong>(*1945) is considered to be an exceptional phenomenon in Slovak and Czech photography. She entered the art scene in the late 1960s, at a time when experimental staged photography was beginning to assert its position within the wider context of fine art. She experiments, breaks traditions, transforms and innovates her personal style. She exploits new technologies and possibilities, transcending photography into architecture, painting and fashion design. In 1969, she became the first female graduate of photography at FAMU (The Film and TV School of the Academy of Performing Arts in Prague). She began to discover the possibilities of stylization of the photographic image, which, together with the interest in studying the medium, became a stable element of her entire work. She has taught young people for over thirty years, shaping a strong generation of photographers who later became known in Prague as the \u201cSlovak New Wave\u201d and still fundamentally influence the Czech photographic scene. She returned to teaching in the 1990s as head of photography department at the Academy of Fine Arts in Bratislava, as well as at the Film Academy of Performing Arts in Prague and the Academy of Arts in Bansk\u00e1 Bystrica. Her creative approach significantly influenced the Slovak art scene, the younger generation in particular.<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\r\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" width=\"819\" height=\"1024\" class=\"wp-image-227 lazyload\" data-src=\"http:\/\/mh.markoandplacemakers.com\/wp-content\/uploads\/2022\/06\/milota-819x1024.jpg\" alt=\"Milota Havr\u00e1nkov\u00e1\" data-srcset=\"https:\/\/milotahavrankova.com\/wp-content\/uploads\/2022\/06\/milota-819x1024.jpg 819w, https:\/\/milotahavrankova.com\/wp-content\/uploads\/2022\/06\/milota-240x300.jpg 240w, https:\/\/milotahavrankova.com\/wp-content\/uploads\/2022\/06\/milota-768x960.jpg 768w, https:\/\/milotahavrankova.com\/wp-content\/uploads\/2022\/06\/milota-1229x1536.jpg 1229w, https:\/\/milotahavrankova.com\/wp-content\/uploads\/2022\/06\/milota.jpg 1575w\" data-sizes=\"(max-width: 819px) 100vw, 819px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 819px; --smush-placeholder-aspect-ratio: 819\/1024;\" \/>\r\n<figcaption><mark class=\"has-inline-color has-ast-global-color-3-color\" style=\"background-color: rgba(0, 0, 0, 0);\">Credit: Lubo \u0160pirko<\/mark><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<p><strong>SOLO EXHIBITIONS<\/strong><\/p>\r\n\r\n\r\n\r\n<p><strong>2024 Bratislava <\/strong>(Slovensko) Gal\u00e9ria mesta Bratislava, Modr\u00e1 strecha<\/p>\r\n<p><strong>2020 Prague<\/strong> (Czech Republic), Leica Gallery Prague, Pohled z Okna<br \/><strong>2019 Ko\u0161ice<\/strong> (Slovakia), East Slovak Gallery, TORSO\/ Laboratory of Eternal Returns<br \/><strong>2015 Prague<\/strong> (Czech Republic), Prague City Gallery (GHMP), MILOTA<br \/><strong>2009 London <\/strong>(UK), EMBASSY OF THE SLOVAK REPUBLIC, Blue Roof\u2028<br \/><strong>2009 Bratislava <\/strong>(Slovakia), GAL\u00c9RIA FORZET, 07-00<br \/><strong>2008 Vienna <\/strong>(Austria), SLOVENSK\u00dd IN\u0160TIT\u00daT, Being<br \/><strong>2007 Martin<\/strong> (Slovakia), TUR\u010cIANSK\u00c1 GAL\u00c9RIA, Message M.H.<br \/><strong>2007 Nitra <\/strong>(Slovakia), NITRIANSKA GAL\u00c9RIA, In the Circle M.H.<br \/><strong>2005 Bratislava<\/strong> (Slovakia), GAL\u00c9RIA NOVA, Dialogue<br \/><strong>2005 Prague<\/strong> (Czech Republic), GALLERY ART FACTORY, Green House 2<br \/><strong>2005 Bratislava <\/strong>(Slovakia), GAL\u00c9RIA MESTA BRATISLAVY, Green House<br \/><strong>2005 Washington DC <\/strong>(USA), GALLERY 10, Milota Havr\u00e1nkov\u00e1<br \/><strong>2004 Washington DC<\/strong> (USA), GALLERY OF KOLOMAN SOKOL, Milota<br \/><strong>2000 Ko\u0161ice<\/strong> (Slovakia), GAL\u00c9RIA NOVA, Milota<br \/><strong>2000 Prague<\/strong> (Czech Republic), KOMORN\u00cd GALERIE DOMU FOTOGRAFIE Jozefa Sudka, Essential Game<br \/><strong>2000 Cheb<\/strong> (Czech Republic), GALERIE G4, Milota Havr\u00e1nkov\u00e1 \u2013 Photography<br \/><strong>1997 Bratislava<\/strong> (Slovakia), MONTH OF PHOTOGRAPHY, graphics \u2013 silkscreen printing in textiles \u2013 photographs<br \/><strong>1997 Prague<\/strong> (Czech Republic), VELTR\u017dN\u00cd PAL\u00c1C, digital photography \u2013 photographic design and fashion show<br \/><strong>1996 Prague<\/strong> (Czech Republic), GALERIE \u0158\u00c1SNOVKA, Milota and Her Guests \u2013 photographs and fashion show<br \/><strong>1995 Bratislava<\/strong> (Slovakia), HOTEL DANUBE, Light and photographic design \u2013 video projection - fashion show and exhibition of photographs<br \/><strong>1995 Lublin<\/strong> (Poland), GALERIA TEATRU NN, Milota Havr\u00e1nkov\u00e1 \u2013 Photography \u2013 video projection<br \/><strong>1994 Prague<\/strong> Czech Republic), GAL\u00c9RIA MLAD\u00c1 FRONTA, Inaugurace<br \/><strong>1994 Klagenfurt<\/strong> (Austria), ARS TEMPORIS<br \/><strong>1992 Kristiansad<\/strong> (Norway), GALLERI 101, Fotodesign \u2013 exhibition of textile design<br \/><strong>1991 Bratislava<\/strong> (Slovakia), GAL\u00c9RIA X STYLE, permanent exhibition and sale of textile design clothes and photographs<br \/><strong>1989 Eisenstadt<\/strong> (Austria), BURGENLADISCHES LANDESMUSEUM<br \/><strong>1988 Ko\u0161ice<\/strong> (Czechoslovakia), GAL\u00c9RIA SFVU, Dielo<br \/><strong>1988 Tren\u010d\u00edn<\/strong> (Czechoslovakia), GAL\u00c9RIA SFVU, Dielo<br \/><strong>1988 Bratislava<\/strong> (Czechoslovakia), GAL\u00c9RIA SFVU, Dielo<br \/><strong>1982 Warszawa<\/strong> (Poland), FOTO GAL\u00c9RIA, Monumental Photography<br \/><strong>1980 Wroclaw<\/strong> (Poland), WROCLAWSK\u00c1 GAL\u00c9RIA FOTO MEDIUM ART, Monumental Photography<br \/><strong>1978 Bratislava<\/strong> (Czechoslovakia), GAL\u00c9RIA CYPRI\u00c1NA MAJERN\u00cdKA, Milota Havr\u00e1nkov\u00e1<br \/><strong>1977 Nov\u00e9 Z\u00e1mky<\/strong> (Czechoslovakia), MESTSK\u00c1 GAL\u00c9RIA, Milota Havr\u00e1nkov\u00e1<br \/><strong>1975 Martin<\/strong> (Czechoslovakia), NATIONAL THEATRE, Woman in Slovak Literature<br \/><strong>1974 Vysok\u00e9 m\u00fdto<\/strong> (Czechoslovakia), GAL\u00c9RIA NEMOCNICE, Milota Markov\u00e1<br \/><strong>1973 Bratislava<\/strong> (Czechoslovakia), KOMORN\u00c1 GAL\u00c9RIA, Profile of Marko\u2018s composition<br \/><strong>1970 Krakow<\/strong> (Poland), FOTO GALERIE, Milota Markov\u00e1<br \/><strong>1969 T\u00fcbingen<\/strong> (Germany), STUDENTENGALERIE, Milota Markov\u00e1<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>AWARDS<\/strong><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>2022 State Honour Pribina Cross I. Class from the President of Slovak Republic<\/strong> for extraordinary contribution to the country\u2019s cultural development<br \/><strong>2016 Tatra Banka Foundation Award<\/strong> \u2013 main award in category Visual Art<br \/><strong>2014 Personality of the Year Award, SDEF<\/strong> Professional Photographer\u2019s Awards<br \/><strong>2014 National Award for Humanities, Education and Culture<\/strong> in photography<br \/><strong>2011 IDENTIFICATION CODE Award<\/strong> for art in photography<br \/><strong>2010 TV Gal\u00e9ria elity n\u00e1roda.sk<\/strong>, GEN.sk Milota Havr\u00e1nkov\u00e1<br \/><strong>2008 Crystal Wings Award<\/strong> for Visual Arts<br \/><strong>1997 International Fashion Fair, STYL 97<\/strong>, Brno, special prize of Eva magazine<br \/><strong>1995 Photographic Publication of the Year<\/strong>, Czech Photo, Prague. Catalogue MILOTA 1974 \u2013 94<br \/><strong>1992 International Biennial of Arts and Crafts<\/strong>, Bratislava, Subconscious Interplays \u2013 Honorary Mention<\/p>\r\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Milota Havr\u00e1nkov\u00e1\u00a0(*1945) je fotografka, ktor\u00fa v slovenskej i \u010deskej fotografii pova\u017euj\u00fa za jedine\u010dn\u00fd zjav. Vst\u00fapila na umeleck\u00fa sc\u00e9nu koncom 60. rokov 20. storo\u010dia, v \u010dase ke\u010f si experiment\u00e1lna inscenovan\u00e1 fotografia za\u010dala v\u00fdraznej\u0161ie presadzova\u0165 svoju poz\u00edciu v r\u00e1mci v\u0161eobecn\u00e9ho kontextu v umen\u00ed. Experimentuje, l\u00e1me trad\u00edcie, u\u017e zau\u017e\u00edvan\u00fd rukopis men\u00ed a modernizuje. Sk\u00fa\u0161a nov\u00e9 technol\u00f3gie a mo\u017enosti, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":31,"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":801,"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/pages\/2\/revisions\/801"}],"wp:attachment":[{"href":"https:\/\/milotahavrankova.com\/en\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}